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Diane Radycki
Diane Radycki provides a persuasive
and revelatory argument for the title of her book pronouncing Paula Modersohn-Becker as ‘The First Modern Woman Artist.’
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Gallery
Read the Introduction
Buy the Book

 

Please click here for video lecture on
Reclining Mother-and-Child Nude

 

 

MODERSOHN-BECKER

 

“Her Work—powerfully femaile, deeply inward, rich with sensuality—is barely known in America.”
—Adrienne Rich

 

Modersohn-Becker, <i>Moor Canal</i>, 1900. <br/>Paula Modersohn-Becker Stiftung, Bremen.
Modersohn-Becker, <i>Still Life with Fried Eggs in the Pan</i>, c. 1905. <br/>Private collection, Bremen.
Modersohn-Becker, <i>Two Girls in Front of Birch Trees</i>, c. 1905. <br/>Saint Louis Art Museum.
Modersohn-Becker, <i>Lee Hoetger Holding a Flower</i>, 1906. <br/>Paula Modersohn-Becker Museum, Bremen.
Modersohn-Becker, <i>Reclining Mother-and-Child Nude II</i>, 1906. <br/>Paula Modersohn-Becker Museum, Bremen. (Click here for <a href="http://dianearthistory.com/newsite/video/">video</a> lecture.)
Modersohn-Becker, <i>Old Poorhouse Woman in a Garden</i>, c. 1907. <br/>Paula Modersohn-Becker Museum, Bremen.
Modersohn-Becker, <i>Self-Portrait Holding Two Flowers</i>, 1907 (third trimester). <br/>Museum of Modern Art and Neue Galerie, New York.
Modersohn-Becker, <i>Self-Portrait, Age 30, 6th Wedding Day</i>, 1906. <br/>Paula Modersohn-Becker Museum, Bremen.

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